A rapid 5-minute video introduction to the Linder Gallery by Michael John Gorman:
There are 2 wallpaper packages available for download. Each zip file package contains 4 JPEG files of different sizes ranging from 1024 x 768 to 1600 x 1200. Click on the thumbnails for a preview of each wallpaper.
Webpage about the Linder Gallery from the Istituto e Museo di Storia della Scienza
Discussing the Linder Gallery from the Palazzo Strozzi’s Palazzo 2.0 blog
Gorman, Michael John and Alexander Marr, ‘“Others see it yet otherwise”: disegno and pictura in a Flemish gallery interior’, The Burlington Magazine, CXLIX (February 2007), pp. 85-91. Download article (4MB)
Belting, Hans, Likeness and Presence: A History of the Image before the Era of Art, Chicago: University of Chicago Press, 1997.
Caspar, Max, Kepler, translated by Clarice Doris Hellman and Owen Gingerich, London: Dover, 1993.
Filipczak, Zirca, Picturing Art in Antwerp 1550-1700, Princeton: Princeton University Press, 1987
Freedberg, David, The Power of Images: Studies in the History and Theory of Response, Chicago: University of Chicago Press, 1991.
Gorman, Michael John, ed., A Mysterious Masterpiece: The World of the Linder Gallery (Fondazione Palazzo Strozzi/Alias, 2009)
Gorman, Michael John and Alexander Marr, ‘“Others see it yet otherwise”: disegno and pictura in a Flemish gallery interior’, The Burlington Magazine, CXLIX (February 2007), pp. 85-91. Download article (4MB)
Michael John Gorman and Alexander Marr, ‘Catalogue entry for the Linder gallery interior’, in Paolo Galluzzi (ed.), Galileo: Images of the Universe from Antiquity to the Telescope (Florence: Giunti, 2009), pp. 388-389
Härting, Ursula “Doctrina et Pietas: über frühe Galeriebilder”, Jaarboek Koninklijk museum voor Schone Kunsten Antwerpen (1993), pp. 95-133.
Honig, Elizabeth, Painting and the Market in Early Modern Antwerp (New Haven, CT, 1998)
Important Old Master Paintings from the Thomas Mellon Evans Collection, Christie’s New York, Friday, 22 May 1998, Lot 8.
Marr, Alexander, Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Europe (University of Chicago Press, 2010), esp. Chapter 6.
Marr, Alexander (ed.), ‘Picturing Collections in Early Modern Europe’, special issue of ‘Intellectual History Review’ (Spring, 2010).
Alexander Marr, ‘The Production and Distribution of Mutio Oddi’s Dello squadro (1625)’, in Sachiko Kusukawa and Ian Maclean (eds.), Transmitting Knowledge: Words, Images, and Instruments in Early Modern Europe (Oxford: Oxford University Press, 2006), pp. 165-191
Alexander Marr, ‘Muzio Oddi’s Milanese Period’, in Sabine Eiche (ed.), I Gheribizzi di Muzio Oddi (Urbino: Accademia Raffaello, 2005), pp. 69-79
Speth-Holterhoff, S. Les Peintres Flamands de Cabinets d’Amateurs au XVIIe Siècle (Brussels, 1957)
Stoichita, Victor, The Self-Aware Image: An Insight into Early Modern Meta-Painting, Cambridge: Cambridge University Press, 1997.
Sutton, Peter (ed.), The Age of Rubens, New York: Harry Abrams, 1993.
Winner, M., Die Quellen der Pictura-Allegorien in gemalten Bildergalerie des 17 Jahrhunderts zu Antwerpen, Dissertation (Cologne, 1957)
No matter where you are on the website, you can always access the version of the painting with commentary and rich zoom features by clicking the "show/hide painting" toggle above.
The conversation continues in A Mysterious Masterpiece. The World of the Linder Gallery, which contains an in-depth conversational study of the painting.
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