At the front of the green octagonal table in the Linder Gallery, very prominently positioned in the painting, is a scrap of paper bearing three competing systems of the universe: the Ptolemaic earth-centred system at the top left, the sun-centred Copernican system (prohibited by the Inquisition since 1616) and the compromise system of the Danish astronomer, Kepler’s mentor Tycho Brahe, which has the inner planets going around the sun but the sun and the outer planets orbiting around the earth. Read more…

There is an intriguing letter in the university library of Urbino recently uncovered by Alexander Marr that provides a direct eyewitness account of the Linder Gallery from shortly after its creation. It was sent in March 1629 by an engineer, Giovanni Battista Caravaggio to his mathematical  tutor, Mutio Oddi, describing a visit to the house of the German merchant Peter Linder. Read more…

Three books can be seen to the right of the celestial globe in the Linder Gallery. From the bottom they are the HARMONICES MUNDI or Harmonies of the World (1619) and the TABULAE RUDOLPHINAE or Rudolphine Tables (1627)  by the German astronomer Johannes Kepler.  Read more…

The sole surviving piece of textual evidence that sheds light on the Linder gallery interior is a letter, sent on 28 March 1629, from the architect-engineer Giovanni Battista Caravaggio to his former tutor in mathematics, Mutio Oddi of Urbino.  In the letter, Caravaggio (then in Milan) mentions a visit to their friend Pieter Linder, a German merchant who had also studied mathematics with Oddi, and who was the Urbinate scholar’s closest friend.  He describes seeing, in Linder’s study, a painting showing a picture gallery in perspective,  which is undoubtedly the Linder gallery interior.  Read more…

I recently gave a rapid  introduction to the Linder Gallery at Dublin’s first IGNITE event at the Science Gallery. Speakers are limited to exactly 5 minutes, and 20 slides which auto-advance every 15 seconds, quite a challenge! View the presentation here: