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	<title>Comments on: Cornelis Drebbel&#8217;s Perpetuum Mobile in the Linder Gallery</title>
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	<link>http://www.mysteriousmasterpiece.com/art_science/cornelis-drebbels-perpetuum-mobile-in-the-linder-gallery</link>
	<description>A Mysterious Masterpiece</description>
	<lastBuildDate>Mon, 10 May 2010 13:36:08 +0100</lastBuildDate>
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		<title>By: Richard SantaColoma</title>
		<link>http://www.mysteriousmasterpiece.com/art_science/cornelis-drebbels-perpetuum-mobile-in-the-linder-gallery/comment-page-1#comment-284</link>
		<dc:creator>Richard SantaColoma</dc:creator>
		<pubDate>Mon, 10 May 2010 13:36:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.d1043818.blacknight.com/?p=218#comment-284</guid>
		<description>Since I took the photo used in your blog post, I thought it might be OK to post a link to a page I had made (link above), where it came from, which looks into the workings of these devices. Your readers might be interested in some of the ideas I have explored, and the comparisons to the other known illustrations of Drebbel&#039;s perpetuums. The emergence of the Lidner example is of course the first new one in some time... and also, very rare. Until it was posted online, I had held hope that it would advance our understanding of these... unfortunately, as you say, it is shadowy, and so will not reveal anything. While I am posting (I have not yet read Gorman&#039;s book), has this painting yet been thought a Stalbemt, like the Prado and Walter&#039;s collectors galleries? If not, why not? Great site, BTW... Rich.</description>
		<content:encoded><![CDATA[<p>Since I took the photo used in your blog post, I thought it might be OK to post a link to a page I had made (link above), where it came from, which looks into the workings of these devices. Your readers might be interested in some of the ideas I have explored, and the comparisons to the other known illustrations of Drebbel&#8217;s perpetuums. The emergence of the Lidner example is of course the first new one in some time&#8230; and also, very rare. Until it was posted online, I had held hope that it would advance our understanding of these&#8230; unfortunately, as you say, it is shadowy, and so will not reveal anything. While I am posting (I have not yet read Gorman&#8217;s book), has this painting yet been thought a Stalbemt, like the Prado and Walter&#8217;s collectors galleries? If not, why not? Great site, BTW&#8230; Rich.</p>
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		<title>By: Francis Franck</title>
		<link>http://www.mysteriousmasterpiece.com/art_science/cornelis-drebbels-perpetuum-mobile-in-the-linder-gallery/comment-page-1#comment-161</link>
		<dc:creator>Francis Franck</dc:creator>
		<pubDate>Mon, 08 Feb 2010 18:29:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.d1043818.blacknight.com/?p=218#comment-161</guid>
		<description>On http://www.drebbel.net/1621%20PtPM.pdf you&#039;ll find an article written by Heinrich Hiesserle von Chodaw in 1621 containing a functional description and a drawing of the instrument shown in this painting.</description>
		<content:encoded><![CDATA[<p>On <a href="http://www.drebbel.net/1621%20PtPM.pdf" rel="nofollow">http://www.drebbel.net/1621%20PtPM.pdf</a> you&#8217;ll find an article written by Heinrich Hiesserle von Chodaw in 1621 containing a functional description and a drawing of the instrument shown in this painting.</p>
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		<title>By: Hubert</title>
		<link>http://www.mysteriousmasterpiece.com/art_science/cornelis-drebbels-perpetuum-mobile-in-the-linder-gallery/comment-page-1#comment-159</link>
		<dc:creator>Hubert</dc:creator>
		<pubDate>Sun, 07 Feb 2010 20:20:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.d1043818.blacknight.com/?p=218#comment-159</guid>
		<description>About Drebbel, take a look at www.drebbel.net and read the dissertation of Dr. Vera Keller: Cornelis Drebbel; Fame and the making of modernity (Princeton, 2009)</description>
		<content:encoded><![CDATA[<p>About Drebbel, take a look at <a href="http://www.drebbel.net" rel="nofollow">http://www.drebbel.net</a> and read the dissertation of Dr. Vera Keller: Cornelis Drebbel; Fame and the making of modernity (Princeton, 2009)</p>
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